Journals, Edited Volumes and Exhibition Catalogues
‘Inji Efflatoun, David Alfaro Siqueiros and the Figuration of Egyptian Women’
The Life and Work of Inji Efflatoun
(Milan: Skira, 2025)
‘Looking to Mexico: Hamed Ewais, Gamal Abdel Nasser and Egypt’s Workers’
Art and Politics between the Arab World and Latin America, eds. Laure Guirguis and Maru Pabón (Leiden: Brill, 2025)
‘Decolonisation, Heritage and Problems of Forgetting’
ARTMargins 13, no. 3 (2024): 97–108
‘Kongo Astronauts’
Walking: Documents of Contemporary Art, ed. Tom Jeffreys (Cambridge: MIT Press, 2024)
‘Soil, Land and Abstraction in South African Contemporary Art’
ASAP/J (25 September 2023)
‘Telling Stories’
Art History 46, no. 3 (2023): 607–611
‘Lumumba in the Arts by Matthias De Groof (ed.)’
African Arts 55, no. 4 (2022): 95–96
‘Categories and Contemporaries: African Artists at the Slade School of Fine Art, c. 1945–1965”
Burlington Contemporary, no. 7 (November 2022)
‘Between African Sculpture and Black Diasporic Experiences: Hugh Hayden and Simone Leigh’
African Arts 55, no. 3 (2022): 70–83
‘African Art and Art History’
Art Journal 81, no. 2 (2022): 115–118
‘Memories of Chagga Country: Sam Ntiro’
MoMA’s post: notes on art in a global context (23 March 2022)
Entries for Michèle Magema, Sue Williamson, Jean Katambayi Mukendi and Kiripi Katembo
African Artists: From 1882 to Now (London and New York: Phaidon Press, 2021)
African Arts 54, no. 4 (2021): 92–94
‘Michael Armitage and the Ghosts of Past Picturing’
MoMA’s post: notes on art in a global context (4 November 2020)
‘From Camera to Canvas: The Case of Patrice Lumumba and Congolese Popular Painting’
Nka: Journal of Contemporary African Art, no. 47 (2020): 82–93
‘Futures and Fictions’
Oxford Art Journal 42, no. 3 (2019): 402–406
‘Mining Time in Sammy Baloji’s Mémoire’
African Arts 52, no. 3 (2019): 62–71