“Figuration, Abstraction and the Politics of Representation”
Burlington Contemporary (5 July 2024)
“Kongo Astronauts”
Walking: Documents of Contemporary Art, ed. Tom Jeffreys (Cambridge: The MIT Press, 2024)
“Soil, Land and Abstraction in South African Contemporary Art”
ASAP/J (25 September 2023)
“Telling Stories”
Art History 46, no. 3 (2023): 607–611
“Moshekwa Langa”
Burlington Contemporary (30 August 2023)
“Más allá de Mexico: el muralismo después de 1945” [“Beyond Mexico: Muralism after 1945”]
Nexos (16 April 2023)
“Celebrating Women Artists and Forgetting Femininst Art Histories”
Burlington Contemporary (23 March 2023)
“Lumumba in the Arts by Matthias De Groof (ed.)”
African Arts 55, no. 4 (2022): 95–96
“Categories and Contemporaries: African Artists at the Slade School of Fine Art, c. 1945–1965”
Burlington Contemporary, no. 7 (November 2022)
“Between African Sculpture and Black Diasporic Experiences: Hugh Hayden and Simone Leigh”
African Arts 55, no. 3 (2022): 70–83
“African Art and Art History”
Art Journal 81, no. 2 (2022): 115–118
“Memories of Chagga Country: Sam Ntiro”
MoMA’s post: notes on art in a global context (23 March 2022)
Entries for Michèle Magema, Sue Williamson, Jean Katambayi Mukendi and Kiripi Katembo
African Artists: From 1882 to Now (London and New York: Phaidon Press, 2021)
African Arts 54, no. 4 (2021): 92–94
“Zanele Muholi at Tate Modern”
Source: Thinking Through Photography, no. 105 (Summer 2021): 66–67
“Michael Armitage and the Ghosts of Past Picturing”
MoMA’s post: notes on art in a global context (4 November 2020)
“From Camera to Canvas: The Case of Patrice Lumumba and Congolese Popular Painting”
Nka: Journal of Contemporary African Art, no. 47 (2020): 82–93
“Belgian Colonial Monuments by Jan Kempenaers and Leopold’s Legacy by Oliver Leu”
Source: Thinking Through Photography, no. 102 (Autumn 2020): 74–75
“Futures and Fictions”
Oxford Art Journal 42, no. 3 (2019): 402–406
“Mining Time in Sammy Baloji’s Mémoire”
African Arts 52, no. 3 (2019): 62–71